USA Today Review - Worst Ever |
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"Ben Folds, Songs for Silverman (* ½) If the past two decades of modern rock have taught us anything, it's that cleverness and earnestness are overrated. The lesson of Folds' second solo outing is that, combined, these qualities can be downright deadly. The preening harmonies and fussy jazz and alt-pop flourishes embellishing the former Ben Folds Five frontman's piano-driven tracks nod self-consciously to Brian Wilson and Todd Rundgren. But tunes such as You to Thank and Late sound more like pretentious Billy Joel rejects — only with Folds' colorless vocals. Surely Silverman, whomever he or she is, deserves better. —Gardner" |
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Seen it. |
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it's too laaaaaate |
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Search "Elysa Gardner" and you'll see the board's general opinion of her. |
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I searched back the past couple pages to see if this was posted before. *Sigh* |
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what a stupid fucking review. calling anything "pretentious" is so fucking sleazy and scummy. gawd, what a fucking dumbass review. |
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Sorry. Just realized this was posted a couple days ago. Argh. Flame away. |
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Lets play a game. Its called why-in-the-hell-do-we-all-care-what-shitty-reporters-th |
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We have to step on them, though, because sometimes if we don't they manage to sway our opinions anyway. |
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what? honesty and integrity in music? i thought that was only in the movies! |
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No, because it's pretentious in movies, too. |
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Jennifer Lopez, Rebirth (* * * out of four) No one will ever mistake Lopez for Celine Dion, but Lopez's tangy, girlish singing is actually better suited to sassy, smartly produced tracks such as the thumping (if not exactly fast-rising) single Get Right and new single Hold You Down, an irresistibly sweet buddy song featuring Fat Joe. And while only Lopez's voice-dressers know for sure, her crooning sounds less processed on this outing's breezy pop-soul confections. Besides, if tone enhancement and pitch correction were crimes, we couldn't build enough jails to hold the offenders. —Elysa Gardner |
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Thank you so much. |
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i wonder if she also liked lopez in , "enough"? |
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We should e-mail her and ask. |
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i'd rather email her with some info on penis enhancment |
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only with Folds' colorless vocals |
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Sorry... |
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...so if everyone does it, it's okay? |
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Seriously? I never got that impression from any of his vocals...I think the opening harmonies in Jesusland are a good illustration of that. That little high part is a tad off. |
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I mean seriously, pretty much everyone uses it here or there. People like Britney pretty much use it as their voice, but you can hear it in songs like Army. |
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if defending pitch correction is a main staple of a one-paragraph praising review of J-Lo's music, it really says a lot about what the writer holds as musical genious. |
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After reading this review, do you think critics review albums based on other albums in their genre, or based on all albums of their contemporaries, or to just all albums that reviewer has ever heard? |
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I know that Roger Ebert frequently talks about the relativity of star ratings: |
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The intro of Jesusland, is actually reversed as I realised yesterday. So the harmonies are actually fine once played backwards!! |
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“Without saying much, we can just blend with each other and play, which is how most of the songs came together before there were even lyrics. And again, I played half the record without knowing what the lyrics were going to be and barely what the vocal melody was. That's kind of typical of Ben. He turns in his term papers very late.”
- Robert Sledge (6/99)